with Al Likilla

Home Defence UK
A Symptom of a Greater Malaise
Daily Mail Wins Turner Prize
The Tate Modern on London’s South Bank where, earlier tonight, gallery 
director Sir Nicholas Serota shocked the artistic establishment by bestowing 
Britain’s leading award for the visual arts, the 2010 Turner Prize, upon the 
entire staff of best-selling right-wing newspaper The Daily Mail.

“This is a deserved moment of recognition for one of the country’s leading purveyors of a unique 
and challenging worldview.” Serota intoned during the introduction to his announcement. “Our 
winners this year have often proffered outlandish stories as ‘news’ in the past, delivering an 
occasionally Situationist but more often surreal take to a massive readership with an entirely 
straight face, and for this they should be commended.” 

“Yet, over the past year,” Serota went on. “The Daily Mail’s editorial team has taken this vision to a whole
new level with such classics as “Nick Clegg In Nazi Slur On Britain” (above) and “Partygoer, 23, Blasts
Himself In Head With A Shotgun ‘After Taking Meow Meow Drug’” (the inverted commas here denote the
made-up bit). The entire judging panel, led by myself, feel that this publication deserves a moment of
recognition because of its determination to have little more than a tangential relationship with the facts.
Once we redefined the frontrunner in our heads as ‘conceptual art’ rather than a ‘newspaper’ it became
apparent that everyone associated with The Daily Mail would be worthy winners.”

The Turner Prize began life in 1984 out of a miasma of scandal and has provoked controversy on a regular 
basis ever since with its support for transvestites, lights turning on and off and Tracey Emin (right). This 
award is traditionally presented to a British artist under fifty who has gained recognition among the 
pseudy art cognoscenti during the preceding twelve months, and who then receives a £40,000 cheque, 
a massive amount of attention from the media, and the opprobrium of idiots nationwide. Indeed, it has now 
become traditional for the ill-informed to rise as one following this annual announcement and chorus: 
“That’s not art, I could do that!”

This year the three unlucky nominees who lost to the Mail’s winning entry were a miniature lighthouse flashing
the phrase “Where’s Allah When You Need Him?” in Morse Code on a continuous loop, a reproduction of the
events leading up to the death of a passer-by in last year’s G8 protests rendered entirely in the creator’s
bellybutton fluff and a forty minute film, sourced directly from CCTV, showing a man ordering a kebab while too
drunk to speak.

Ultimately though, all these competitors would lose out to the UK’s second biggest selling daily, first published
in 1896 and which, during its century and more in print, has supported both the Fascist Party and Hitler
(referring admiringly to “sturdy young Nazis” in 1933 and congratulating the German leader on his annex of
Czechoslovakia shortly afterwards). Other notable landmarks for The Daily Mail include its failure to support
Apartheid boycotts and the endorsement of forced conscription while, more recently, the publication has delighted its siege mentality readership by accusing the BBC of fostering a left-wing conspiracy, linking 
cannabis to the death of youngsters who hadn’t actually taken it, comparing the movie ‘Kick Ass’ to the 
murder of Damilola Taylor and running the front-page headline: “Abortion Hope After ‘Gay Genes’ 
Finding”. This last being not just offensive, but wholly devoid of sense.

“Today represents the first recognition of a groundbreaking publication’s most fecund period.” Art critic Beth Early-Adopter told a sceptical Mark Lawson on today’s episode of The Late Show. “Ever since editions during the early part of World War II depicted The Daily Mail campaigning for Jewish refugees to be sent back to Germany, this rag has stretched the definition of what a newspaper should do. Indeed, recent years have seen The Mail become less a source of reliable information for the news-hungry public, than some media-savvy insider’s idea of an elaborate joke.”

As the Floor Manager gesticulated wildly for her to stop talking, Ms. Early-Adopter went on:
“It was columnist Jan Moir blaming the entirely natural death of Boyzone member Stephen Gately on
“his dirty gay lifestyle” that really made the art establishment sit up and take notice, as it did for many
homosexuals. In fact, Moir (left) drew a record twenty-five thousand complaints. This forty grand prize
money awarded by The Turner might seem a lot to your average man in the street, but the Mail has made payouts to dozens of public figures they invented stories about and who subsequently sued them and won. There was the hundred kay to Alan Sugar, the same to Elton John and so on; the list’s as long as your arm. Populating all those pages every day with this kind of fictional nonsense doesn’t come cheap. The editorial desk, overworked copywriters, and everyone else involved in The Mail’s conception are worthy winners.”

Indeed, iron-fisted editor Paul Dacre (right), on accepting The Turner Prize from a radiant Heather Mills, was 
quick to heap disdain on the whole event, his speech characterised by vituperation and flying spittle as the 
editor berated the artistic establishment, free-thinkers and all the ‘weird types’ in attendance. Dacre then 
called The Turner Prize “a waste of good, honest Britons’ time” and “basically moronic”.

The Mail’s editor followed this by launching into a rambling attack on asylum seekers, “dole scroungers”
and promiscuous young women he’d heard about who liked nothing more than going out virtually naked,
downing twelve Bacardi Breezers, and getting knocked up so they could receive a council house and
sponge off the state for the rest of their lives. 

Unfortunately for Dacre this fifteen minute tirade failed to have the desired effect and was greeted with
whoops and cheers from many of the bright young things present. One audience member (left), a
performance artist from Hackney wearing massive glasses that made her look like eighties snooker
legend Dennis Taylor, proceeded to yell her thoughts at Home Defence over the ringing applause:
“I love that guy. I don’t how he does it - staying in character like that all the time. He’s funnier than
Sacha Baron Cohen.”  

Serota announces the result.
The Tate Modern.

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